Month: January 2015
You may or may not know this. Despite having been brought up around comics and CCGs, I don’t actually have a lot of comics knowledge. I can tell you the different publishers and most of the big names. I can describe what I find appealing about storylines and panel layout, but I’m not very well versed in the classics or in many author’s works in an extensive basis.
So, I’m trying to identify some works and persons on whom I can focus.
For the next few months, I’m going to be trying to catch up on some Brian Michael Bendis. This is no mean feat. First, Bendis is a Marvel legend and has had a go at almost every major Marvel hero or team there is. His list of works is huge. To top it off, alot of what he does and is really famous for can be hard to get a hold of. Check it out, his list of works is HUGE (http://en.wikipedia.org/wiki/Brian_Michael_Bendis)
Some things I’m looking forward to reading by Bendis and crew:
Alias (especially hard to secure, may take a while), and
Things I want to keep reading by Bendis and crew:
Uncanny X-Men (current run)
Most of this is his more self-contained works. To be honest, the Bendis-verse is a scary place to enter into. I thought it prudent to limit myself to his more consumable stuff so I don’t get overwhelmed. Let me know what you think. Anything I’m missing?
She Will Build Him a City is a poetically written tale that follows a cast of characters including an elderly woman, an orphan, a killer, and a dog. Set in India in a variety of settings, Jha tries to thread together disparate stories.
The story follows largely unnamed characters through their struggles in modern-day India, where despite living in a world of cell phones and modern medicine, most of the characters live in squalor, unable to afford even the most basic of necessities. The story incorporates elements of the unreal and magical realism.
The stories are largely thread through two characters: an elderly woman whose daughter has left her and an infant named Orphan who, by a twist of fate, toddles out of the orphanage where he has been kept and into the world with only a stray dog as his guide.
Jha’s novel isn’t so much a plot-driven story, nor is it a character study. It feels a bit fairy-tale like and meanders about, seemingly without purpose. Accordingly, there’s no really fast-paced plot, and there’s not really any character development. It seems more like a snapshot, blurred by magical realism elements. I think that can be appealing if it’s what you’re in the mood for.
There’s a lot of uncertainty in the novel. It’s never really clear if some of the character are doing what they say they are doing (the killer character in particular) or if the character actually exists. Part of this appeals to me. I like a bit of mystery in my stories. However, I thought it was often too confusing and a bit disjointed. The characters and their stories’ endings often seemed rough and incomplete.
I can’t really speak to the style much. The story’s grammar is going to be shifted around and some of the style may change as a result.
Overall, I think I wanted to like this story more than I did. I’d give it a weak 3/5, but would say it’s promising.
Book Depository: http://www.bookdepository.com/She-Will-Build-Him-City-Raj-Kamal-Jha/9781408855041
Release date: March 3, 2015
Note: I received a copy of this book for free in exchange for an honest review
Jennifer Clement’s Prayers for the Stolen is a story about women in poverty surviving in the mountains of Mexico. In a community where all the men have left for the U.S. and where cartels roam unchecked, the women proclaim loudly that “Thank god the baby was a boy.” Girls of the mountain are kidnapped at gunpoint and sold as slaves. It’s not a guarantee of safety; all the babies in the village are ‘boys.’
Prayers for the Stolen follows Ladydi (pronounced Lady Di), who recounts the stories of the girls in her village and that of her and her mother.
This book reminds me very much of Sandra Cisneros’ The House on Mango Street. The subject matter in both books is similar, though Clement’s story isn’t written in vignettes and focuses less on the sense of a community. Prayers for the Stolen is about women working hard against their circumstances and a young woman’s observation of her female companions.
Ladydi’s life with her mother is filled with betrayal and insecurity. Her mother is a drunk who resents everyone, quick to place blame on others and dedicated to the many grudges she holds. Ladydi’s mother is one of the more interesting characters of the novel. She’s got an uncertain sense of right and wrong, an unforgiving nature, and a temperament wont to change. Her mother is superstitious, believing in curses and that prayers for the things you want always go unanswered or worse. She is, however, utterly reliable. The portrayal is vivid and is often eerie.
Ladydi is more often an observer than a participant in her story. When she does appear to be engaged, it doesn’t last long. Her excursion outside the mountain in Acapulco is quick and mostly displays her own naivety. She’s betrayed by the sole male child of the village and the consequences are extremely serious. Surprisingly, she doesn’t seem to resent him. This would be off-putting and overly saintly if she didn’t have moments where she channels her mother’s anger and bitterness.
The story is slow at times and is more of a character study than anything else. The ending was a bit too sappy and convenient for my tastes.
I received a copy of Prayers for the Stolen for free in exchange for an honest review via bloggingforbooks.com
East of West is a feature I’ve struggled to pick up. It’s initial pages didn’t grab me and I put it down for a while. When I was finishing it this week, it grew on me, but I keep thinking about how long it took for me to get into the story.
East of West is an apocalypse story pitting Death against War, Conquest, and Famine. Death has been injured; the exact nature of the injury is unknown. He’s seeking revenge against the other three and trying to restore his life to what it once was. Death’s family, and the world, hangs in the balance.
The story features some interesting art. It relies heavily on shading and creates some serious depth in the characters. This can be very appealing, but also very abrasive. It blends a more traditional comic book style with some more Manga proportions and stylistic elements.
Fun moment! There are some characters that are ink-black and look a bit like Drow.
The story itself takes a long time to come together. I think this really contributed to my reluctance to continue with it. I’ll be honest, if I were trying this out as single issues, I probably wouldn’t have continued on with it.
Once the story comes together a bit, we see there is a great deal of complicated internal politics within the world and interesting plays on revenge stories. What’s interesting is the ways in which it is a bit similar to Pretty Deadly in subject matter. The stories themselves are different, but share a number of elements. I would say, as well, that East of West has a better sense of long-game plot building.
The characters are already interesting. Whether they’ll continue to be explored fully remains to be seen, but I’m hopeful.
I received a copy of East of West for free in exchange for an honest review via Netgalley.
Atlanta Burns, Chuck Wendig’s newest bind-up, follows a young heroine of the same name. Atlanta is surly, oddly compelled to do good, and very much haunted. Mostly she’s just getting through high school and trying not to give into sleep, where her past comes alive. When she’s awake and out of the house, she finds herself battling neo-Nazis, bullies, and corrupt police officials. Atlanta is Veronica Mars without the resources, friends, or safety of home.
Atlanta is finally adjusting to life after her shooting her mother’s ex-boyfriend. She’s making new friends and regaining a sense of belonging, tentative though it may be. Her new friends, Chris and Shane, geeks to say the least, have attached themselves to her, despite her reluctance. Then Chris dies, supposedly of suicide. But Atlanta isn’t so sure. She was never too far from a vigilante and, now, her self-control is going to be tested.
Atlanta herself is a decently complex character. She’s suffering from trauma, probably some PTSD and depression. She’s isolated. She will express frustration with others, and simultaneously long to be around people. She’s impulsive and has a serious sense of right and wrong.
However, I found myself to be frustrated with her. I wanted to see her have a moment or two where she looks at her behavior, sees her problems, and wants to be different, even if she doesn’t have the will or ability to change. I wanted her to have a self-reflective moment.
I also was a bit skeptical of her situation. After her assault, her mother’s behavior, and the nature of her self-defense, I was very surprised that Atlanta (1) didn’t have a state-presence in her life like a social worker, and (2) that there wasn’t any mandatory counseling. It just seemed a bit too unrealistic that there would be nothing, not even an incompetent of ineffective attempt at assistance for her.
She also shoots a lot of guns at people without really seeming to ever get into any trouble, and there are a lot of violent sociopaths living in her town, going to her school.
The side characters were interesting enough. There wasn’t a ton of development with them, but, by and large, they weren’t consistently present in the story. They’re all a bit gullible or unreasonably afraid of Atlanta. Her run-in with the police was violent, yes. People are scared she’ll do it again, but there were some pretty extenuating circumstances that led to her shooting a man. It seemed a bit unrealistic that everyone thinks she’ll do the same to them, also a bit too convenient. She needs leverage to keep the story moving, but I don’t know that the threat of her shooting people was really the way to go about giving it to her.
The story itself often feels episodic from one chapter to the next. Though there is an overarching plot and recurring characters, it doesn’t always seem to be very focused. It can be fun and fast-paced, but there are definitely times where it seems like the “main” plot has been abandoned or like there isn’t a lot of cohesion.
I received a copy of Atlanta Burns for free in exchange for an honest review via Netgalley.
Mind the Gap, volume 1, follows Elle after she is attacked and in a coma. Her attacker is still on the loose, and coming to kill her. She has to find a way to communicate with the living before her attacker succeeds.
Things I liked:
- Beautiful artwork, particularly the coloring
- Features a masked villain, but shows us the (a?) villain after a short enough time that it doesn’t drag the story out
- Story is relatively cohesive with forming sub-plots
Things I disliked:
- We learn very little about the characters
- Character relationships are not fully explored, so there is little emotional draw
- Some of the stories are pretty predictable
Overall rating: ***
I received a copy of Mind the Gap for free in exchange for an honest review.
Publication Date: 2014
Length: 415 pages
This is a pretty obvious case of unnecessary sequels.
The Rosie Project was a romcom that hinted, but I’d say by and large failed, at saying something about adult relationships with persons with Asperger’s syndrome. At the very least, it was a largely predictable romance. It ticked all of the “aww” boxes, but wasn’t fantastic and wrapped up its loose ends.
It’s sequel, The Rosie Effect, picks up the two characters a little under a year afterwards, during which time, Don and Rosie are expecting a baby. Hijinks ensue.
The plot in this book was chaotic and often too convenient. Characters from the old book were brought back in, despite it going counter to the implied ending in their previous storyline with little to none of the information needed to bridge the gap. The plot once the characters are assembled is haphazard at best with wildly improbable actions being taken all around. The resolution is, again, all too convenient.
Largely, I can’t help but be critical of the story because it gloms on to RomCom conventions without any of the relationship building that makes a RomCom a good story. Don Tillman is his usual self, but his entire approach to their newest dilemma (the impending birth of his child) isn’t really what I would expect of his curiosity. It was just disappointing.
I received an eARC of The Rosie Effect for free in exchange for an honest review via Netgalley.
So, yes. It’s that time again. Bout of Books begins today and is running through Sunday the 11th. Here’s what I’ll be reading.
China Mieville’s Railsea
Libba Bray’s The Diviners
Graeme Simsion’s The Rosie Effect
Chuck Wendig’s Atlanta Burns
and, if things seem to go well, I’ll hopefully read
Margaret Atwood’s The Penelopiad.
What are you reading for Bout of Books 12?