Rick Remender’s Black Science is one of the more interesting science fiction comics available. In it, Remender and co. present a science team working on creating a device that allows them to navigate the multiverse. It goes, quite predictably, awry. The cast is sent spiraling uncontrollably through universe after universe and is pitted against a variety of dangers.
The story follows scientist and anarchist-now-working-for-the-MAN Grant. After spending upwards of a decade working on devices known as “pillars,” he finally manages to get them working. His first test is to do an actual jump between worlds. The crew is about to launch their first human test–unapproved. But the pillar has been sabotaged.
The characters in Black Science are very likeable. They’re all given fairly extensive backgrounds and their relationships to one another are complex to say the least. The dynamic between the explorers– self-absorbed leader, his followers, and his jaded and neglected children– make for one of the most interesting aspects of the storytelling.
Some of the plot points I’m not a huge fan of. Some of the characters, in particular a Native-American-esq shaman with magic healing powers, wore a little thin. The nice part of the story setup, though, is that it is self-correcting. Each event has the potential to be undone or redone in the next universe. Versions of the same characters can interact and effect the plot. It can be overly confusing, but also means that when something I don’t like happens, it may not stay that way.
The art is amazing. It’s dark but also vibrant. The characters are ridiculously expressive. The team that works on the art has really tapped into the visuals that can enhance the story and the dynamism that makes science fiction great.
While some of the story is going to need to be ironed out as it progresses, I think that the story is engaging and worth the read.