Month: February 2016
Review + GIVEAWAY | The Witch Who Came in from the Cold
Giveaway is now closed
When I found out the premise and model of storytelling that Serial Box is doing, I knew I wanted it; when I found out who was participating and the quality of the work, I knew I needed it. Read the rest of this entry »
Review | All the Birds in the Sky by Charlie Jane Anders
If you were looking for a fantasy/science fiction mash up, look no further. Charlie Jane Anders’ new novel, All the Birds in the Sky has you covered, and it’s pretty great.
The story follows two main characters, Patricia, a witch, and Laurence, a computer genius. Patricia and Laurence’s relationship ebbs and flows, but one thing seems to haunt them, especially Patricia; the two of them have been foreseen at the end of the world.
There’s a lot to like about this story, but I’ll start with the one that struck me first: the humor. Anders’ story is rife with the kind of self-aware humor that pokes fun at itself and the genre. Guilds of assassins, secret orders, and talking animals are all used with a bit of tongue-in-cheek humor that had me laughing out loud and tabbing pages for the first time in a long while.
But, the story engages in a more serious talk as well about what it’s like to be an outsider, how easy it can be to be misled, and the balance between the fantastic, the scientific, and the radical on all sides.
The character building in the story is well-done. The story follows both Patricia and Laurence from childhood to adulthood, with all the rockiness that entails (skipping the awkwardness of high school and college). Most impressive in this was the establishment of trust in their relationship and the ways it would break down. Both characters are flawed and have their own histories from their years apart. This leads to a lack of trust, sometimes for unwarranted reasons. While some of the moments that result can seem a bit cliché, both characters are very human in their response.
The story also features some crazy plot developments and battles with side characters well-equipped to make things both better and worse, including an AI called CH@NG3M3. While it has more of a contemporary love story kind of feel, it also doesn’t shy away from mystery and actions. Overall, there’s a lot to love.
Charlie Jane Anders is the editor in chief of io9.com and the organizer of the Writers With Drinks reading series. Her stories have appeared in Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Tor.com, Lightspeed, Tin House, ZYZZYVA, and several anthologies. Her novelette “Six Months, Three Days” won a Hugo award.
Let’s Talk | Digitally Native Award Categories
Self-published stories aren’t a terribly new convention. People have been paying to have their works released for a long time. But, with the advent of the internet and the widely available platform for author promotion and creation, self-publishing has become a common way for authors to get their works into readers’ hands.
I won’t lie. I have some pretty mixed feelings about the widespread use of self-publishing, mostly that for me it often becomes overwhelming to even glance in the way of self-published authors. The mountain of works simply is so hard to sift through that I often don’t tread very close.
However, there are some fantastic self-published works available online.
The Martian, Wool, A Long Way to a Small Angry Planet.
The standouts in self-publishing show that the publishing method isn’t necessarily reflective of the quality of work.
So, how do we accommodate self-publishing in our awards?
The Martian by Andy Weir is very highly regarded. It’s a well loved story with fans coming out its ears. But, to many SFF lovers’ surprise, it wasn’t eligible to be nominated for the Hugo Award in 2014 when it was picked up for publishing by Crown Publishing. The book had previously been self-published and without heavy revisions would not have been eligible. Crown decided to publish the book very much as-is, leaving the work ineligible and retaining its 2011 publication date.
The problem in awards is multifaceted. By and large, I think it comes down to a few issues: exposure, inundation, and gatekeeping.
Exposure
Self-published authors are often the sole marketers for their books. They are the ones who are responsible for sending out review requests, getting the book available, and making sure the book is in the eyes of buyers, all while having to write, edit, and design the book. This is extremely difficult without the web of connections that many publishing houses have.
On top of all this, many readers continue to go to traditional publishers for their books and for those who may be open to smaller press or self-published works, the lack of in-store browsing ability and the difficulty in making your story available in online suggestion algorithms proves a big barrier.
Inundation
In the event that a reader does manage to find their way into the self-pubbed section of Amazon, or Kobo, or whatever platform they may be using, there are so many self-published works that standing out may prove difficult. Not impossible, surely, but hard to do, especially without an existing strong following.
So, what do we do with self-published works that are deserving of awards?
This is the part where gatekeeping comes in.
Currently, the big awards in SFF (not to mention the broader literary community) are difficult to break into and not structured well for self-published authors.
Often, awards are either chosen by panel, or through a fan or membership nominating system. This leaves self-published works out of the loop. Nominating systems for panel awards often require submission by a publisher, and membership and fan nominating systems tend to still require the same-year publication date requirement, which often isn’t enough time for a popular self-published work to “break out,” and clumps those books together with traditionally-published novels, which have significantly more budget and reach.
Again, here I feel conflicted.
Something about this seems so unfair, as though the cards are stacked against self-published works. However, extending deadlines makes eligibility for self-published works opens up the door to complaints that the work isn’t being judges with its peers or that the system is unfair in the opposite way.
The Hugos did recently propose extending eligibility for books not originally published in the US. This wasn’t overly controversial, so maybe I’m worrying over nothing. I can’t imagine people denying the difficulties in publishing and promoting a book on your own.
But, maybe the Kitschies have it right, but by thee token, a digitally native category implies that self-pubbed can’t compete with traditionally published works in content quality.
There’s a “Digitally Native” category there that seems to have served well. The Kitchies is a panel award, though, so I wonder how that would play in to a fan or membership system.
Regardless, something has to change in order for the community to recognize the self-published works that can blow us out of the water.
What do you think? What rules changes or category additions would best serve this purpose?
Review | Every Heart a Doorway by Seanan McGuire
It’s been a few days since I finished Every Heart a Doorway
It’s about a girl named Nancy who disappeared into another world, an underworld most likely. Her parents, who don’t really know what happened other than that Nancy disappeared, send her away to school. Nancy’s new school isn’t what she’d expected. After being dropped off (rather unceremoniously), Nancy realizes her schoolmates are all like her: children sent off to fairylands and underworlds and magical places only to be sent back to their homes where no one can understand them.
The story is just so sad, in a good way.
It’s all about being left behind, not fitting in, and wanting, wanting something that you know you’ll never get so badly your heart breaks.
Each student had at one point found a world where they belonged. The worlds range the gambit from “high logic” to “high nonsense” and “wicked” to “virtuous.” All of the students describe their trips into these worlds as having gone home for the first time. Being there comes with a sense of utter belonging. This would be fine by itself, but McGuire echoes the loss in the setting she creates. The school is whimsical and filled with mystery, but that all falls a bit flat. Despite free reign of the grounds and rooms chock full of color, the students can’t seem to recover, and neither do we.
From the very beginning, the students make it clear: they will almost certainly never go back, and hope, while all they may have, is more painful than the despair that follows.
In a way, reading the story is eerie. But, what surprised me most was how much it fit. How could Wendy really go back after Neverland? Could Lucy and Edmond really approach the “real” world the same way after Narnia?
It was the fairytale ending I was wanting.
The children are all a mess. They’re too old for their bodies, fixated on what they’ve lost, and lonely, even among the only people who can really understand them. Each one of them gets their own backstory and personality. Even the crueler among them is humanized, shown to be a bit broken. That’s part of what makes the story painful.
The setting is humorous in its own way. The teachers are all former student, the kids have to go to group therapy, rumors and gossip abound. There’s no escape from cliques even in fairyland exile.
The plot also has some action. While it can seem a slow build, tragedy strikes. Murder and mystery descend. Nancy, of course, is suspect, being from an underworld and the newest student. The action itself leads to heartbreak. It has a bittersweetness that it adds to the story.
At the end, I felt that I knew the characters, like I’d bonded with them and felt their hopes and dreams. Hats off to you, Ms. McGuire.
Every Heart a Doorway will be out April 5th 2016.
I received a copy of Every Heart a Doorway for free in exchange for an honest review.
Review | Sleeping Giants by Sylvain Neuvel
Giant robots? Check
Aliens? Check
International conflict and clandestine military operations? Check
Sylvain Neuvel’s novel follows a secret military operation to uncover mysterious pieces of a device. Told in interview transcriptions, the story records a search to find the pieces of and assemble a large mysterious statute that seems to expel large quantities of electricity and nuclear energy. The interviews span a number of persons working on the project including pilots, scientists, the director of the NSA, and are all hosted by an unnamed man masterminding the work.
The characters are interesting, though the format means they are very distant. There is some development, but also a sense of superficiality. While I wanted to like them, it was hard to do so, especially when the main foci are fairly closed off and abrasive. They grow more confidential during the interviews, perhaps uncommonly so, all things considered, but overall some is left wanting.
The plot is fast-paced. It follows the creation of the clandestine operation, many things going awry, and its initial conclusion. The story is a bit truncated. You don’t see the characters in action often. You see the fallout of things that have happened instead. This was sometimes done well, particularly during the aftermath and recounting of some major events. The characters’ immediate reactions are ignored in lieu of a bit more reflective recounting. This was interesting to read about.
The story also skips around quite a bit. This can be a bit disconcerting when you consider that there isn’t a timestamp on any of the transcripts. It could be a bit hard to follow, but did quicken the reading experience.
One of the things I enjoyed most about the story was the complexity of the mastermind’s thoughts. While you didn’t see it at first, there’s a lot that comes together in an “ah-ha” moment towards the end. Some of the story was a bit done before, but that was engaging.
This won’t be my favorite story of the year, but it’s an engaging, fast read.
5 Kickstarter Projects for Book Lovers
So, I have a bit of a love affair with kickstarter. The platform is fantastic for independent projects and unique works that may otherwise not get produced. BUT, it can be a slog to sort through what’s out there to try and get what you like. So, here’s the deal: I like books; you like books; I saw these and thought of you (and also how cool it would be if they were funded).
Victoria Jr. Presents Little Prometheus by Manny Trembley
Days left: 9 days
Amount Funded: 404% (into stretch goal territory!)
What’s this project about?
Victoria is a human girl adopted in to a loving family of monsters. Victoria Jr. was named by The Monster, after his creator, Victor Frankenstein. She lives in a world of fantastic monsters and creatures.
One day on her way to school, Victoria Jr. decides to capture the mythic “Spark of the Sun”. This is the same spark that the Greek Titan Prometheus stole to give fire to man. She thought maybe the Spark of the Sun could warm the undead hearts of her father, mother, and her younger brother.
Why is it cool?
Are you really asking me why a story about a little human girl living with monsters and trying to warm their hearts is adorable? Or why you should be all about a family-friendly comic?
Aside from the fact that the story sounds awesome, Victoria Jr. pays homage to the kind of stories that are fundamental to science fiction and fantasy. It’s sure to check boxes for SFF lovers and be a book to introduce children into the SFF world in a relatable, unintimidating way.
As a literacy tutor for ESL students, my favorite thing to give the kids I worked with was comics. They’re dynamic and visual, perfect for short attention spans. AND the embedded text makes the story feel like it isn’t work while still encouraging confidence in reading and significant vocabulary growth.
Who is behind it?
Manny Trembley is an indie comics artist with his own self-publishing line of comics. He’s run 6 successful kickstarter campaigns. This will be his second Victoria Jr. book.
What do I get at the lowest award level?
$6 gets you a .pdf of the comic
Bring Dinosaurs Back to Life by Zoobooks
Days left: 16
Amount funded: 66%
What is this project about?
Zoobooks are educational kids’ books about animals and ecology. Unfortunately, the last round of dinosaur books is pretty old. This project is going to update the books with new science and create a set of integrated apps.
Why is it cool?
Dinosaurs. Science. Zoobooks, what’s not to like? Zoobooks were a pretty big part of kiddom in the 90s and 00s. They’ve helped tons of kids learn about science using visuals and intriguing animal subject. They’re committed to keeping their books scientifically accurate, and are fairly accessible through most library systems.
Plus, dinosaur feathers drawings.
Who’s behind it?
Zoobooks, a 35 year old company with tons of books to their name and support from Wildlife Education, LTD.
What do I get at the lowest rewards level?
$10 gets you the app and a series of exclusive updates.
People of Colo(u)r Destroy Science Fiction by Lightspeed Magazine
Days left: 16
Amount funded: 550%
What is this project about?
We believe in science fiction’s transformative powers, its ability to remedy the dreariness of our lives. People of Colo(u)r Destroy Science Fiction! will exist, with your kind help, of course, to relieve a brokenness we’ve enabled time and time again by favoring certain voices and portrayals of particular characters. We won’t harangue you with guilt trips involving the importance of openly listening to the assimilated, the colonized, the misappropriated. That’s just not how we roll. What we aim to do, instead, is to challenge you: Join us because it is fun to do so. We don’t mean fun as a vehicle for trivializing centuries of injustice that resulted in the lack of representation for certain groups of people because power structures were skewed heavily in favor of a chosen few. We mean fun as the satisfaction we get in those light-bulb-in-the-head moments of our lives, the satisfaction we get from meaningful conversations that lend clarity, the satisfaction we get when we move past those feel-good-driven acts of tokenism, the satisfaction we get when we read stories that have palpable artistic and intellectual values that speak of our present time and most of all, our future.
Why is it cool?
The POC Destroy project is about raising the voices of marginalized groups in SFF. It includes a series of fiction and nonfiction writings written and edited by people of color. It includes art, flash fiction, novellas, and author spotlights.
The POC Destroy issue is set with a fantastic cast both of authors and editors including Nalo Hopkinson and Nisi Shawl. It’s also open to new voices in SFF. Basically, you need it.
Every extra dollar goes towards stretch goals that increase content.
PLUS it’s a project Lightspeed is committed to. They promised to publish the edition regardless of if they reached their funding goal. That’s pretty damn cool in my book.
Who’s behind it?
Lightspeed Magazine is a Hugo Award winning publication with a ton of experience and a whole series behind it. This project is in line with the DESTROY series which includes Queers Destroy Science Fiction, Women Destroy Science Fiction, and many others.
What do I get at the lowest rewards level?
$5 gets you an ebook version plus all electronic supplementals achieved in stretch goals
Worlds of Ursula K Le Guin by Arwyn Curry
https://www.kickstarter.com/projects/arwencurry/worlds-of-ursula-k-le-guin/widget/video.html
Days left: 30
Amount funded: 111%
What is this project about?
In the film, we’ll accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples Le Guin absorbed as the daughter of prominent California anthropologist Alfred Kroeber and author Theodora Kroeber.
Ursula K Le Guin is a queen of science fiction. She changed the game radically. This project is largely already filmed, but needs a post-production budget. Part of the funding is contingent on non-NEH funding, so here we are.
Why is it cool?
It’s Ursula.
As a total bonus note, all the levels are named after characters from her stories.
Who’s behind it?
Arwyn Curry and her team have made a number of documentaries and written a number of articles for organizations like PBS, HBO, the New York Times, and Rolling Stone.
What do I get at the lowest rewards level?
$10 gets you shout outs and updates
Edgar Allan Poe’s Murder Mystery Dinner Party by Shipwrecked Comedy
https://www.kickstarter.com/projects/1029702011/poeparty/widget/video.html
Days left: 32
Amount funded: 29%
What is this project about?
Edgar Allan Poe invites all his buddies and loves to dinner. It includes Hemmingway, H.G. Wells, Annabelle Lee. It’s a video series that will be hosted vlog style with some livestreaming options, over a series of ten videos.
Why is it cool?
This form of storytelling has really been catching on. The format lends itself to interactive audience participation, visible and marked character growth, and innovation in film and story adaptation.
Cast includes Mary Kate Wiles who you may recognize from the Lizzie Bennett Diaries where she played Lydia.
Who’s behind it?
Shipwrecked Comedy has run a number of past projects that have been done in a similar vein.
What do I get at the lowest rewards level?
$5 reward is a digital invitation and livestream shoutout
