Rick Remender’s Black Science is one of the more interesting science fiction comics available. In it, Remender and co. present a science team working on creating a device that allows them to navigate the multiverse. It goes, quite predictably, awry. The cast is sent spiraling uncontrollably through universe after universe and is pitted against a variety of dangers.
The story follows scientist and anarchist-now-working-for-the-MAN Grant. After spending upwards of a decade working on devices known as “pillars,” he finally manages to get them working. His first test is to do an actual jump between worlds. The crew is about to launch their first human test–unapproved. But the pillar has been sabotaged.
The characters in Black Science are very likeable. They’re all given fairly extensive backgrounds and their relationships to one another are complex to say the least. The dynamic between the explorers– self-absorbed leader, his followers, and his jaded and neglected children– make for one of the most interesting aspects of the storytelling.
Some of the plot points I’m not a huge fan of. Some of the characters, in particular a Native-American-esq shaman with magic healing powers, wore a little thin. The nice part of the story setup, though, is that it is self-correcting. Each event has the potential to be undone or redone in the next universe. Versions of the same characters can interact and effect the plot. It can be overly confusing, but also means that when something I don’t like happens, it may not stay that way.
The art is amazing. It’s dark but also vibrant. The characters are ridiculously expressive. The team that works on the art has really tapped into the visuals that can enhance the story and the dynamism that makes science fiction great.
While some of the story is going to need to be ironed out as it progresses, I think that the story is engaging and worth the read.
The Death-Defying Dr. Mirage by Jan van Meter and Robert de la Torre is a fantastic story. Dr. Mirage is a parapsychologist. She helps people connect with the spirits of their lost loved ones and can cross over, when necessary, to the world of the dead. She’s been hiding out since her husband’s death. He’s the one spirit she cannot speak to.
Things that rock about The Death-Defying Dr. Mirage:
I want to say everything, but let’s be more specific. There’s some really fun artwork with great attention to detail. In the trade, they talk about the lettering process, the way that the lettering is presented. The very deliberate choices that are used are apparent and really help to set the tone. The coloring in dynamic and entertaining. AND Dr. Mirage is awesome. She’s complicated, constantly growing, and a fascinating character. The plot was pretty heart breaking, but man it was worth it.
Oh, Rat Queens, how I love thee. Rat Queens, vol. 1 is fantastically funny, blending some of the best parts of fantasy, D&D and girl power. It’s drawn beautifully and has a fantastic sense of humor. Volume 2 is no less fantastic. It shines a light on the backstories of our heroines (I’m using the term liberally) and manages to still retain humor and a new extension of the plot. INCLUDING GIANT SQUID!
Just. Do. It. You’ll thank me.
This one admittedly wasn’t my favorite. It’s a far future story. Humanity has moved under the sea and there is huge conflict. It revolves around one family that has the power to move the underwater ships humanity is living in. I’m not really sure why it didn’t click with me. It’s got some fun dialogue and great, colorful, and scenic illustrations. I’m guessing it was just a mood problem. I’m going to revisit it and will update later.
*I received marked titles from Netgalley for free in exchange for an honest review